what design offers us
– The Keiji Nagai Collection

MUJI started its journey from being a specialty store with a point of view on life aesthetics. Design has varied functions and effects. Moreover, it seems that design has the power to connect objects to objects, objects to people, and people to people.
In this exhibition, “Gift” themed products are specially selected from Keiji Nagai’s vast product design collection that enriches our everyday life. In the last 50 years, he has travelled all around the world from his home in Fukuoka. Using his hands, eyes and feet, he has been carefully gathering each item to be included in the collection. For this exhibition, only a small part of his entire collection is on display from his own residence as well as from 4 separate warehouses (since consolidated into 2). It covers a wide range of product genres from furniture, home décor, electrical appliances to welfare products and books.
The Nagai collection is filled with beautiful yet functional objects, with each item telling a story that answers the fundamental question of what design means to human beings and to their lives.
Here in this limited Atelier MUJI venue, we have framed a small but special space and time that Nagai has been creating over a period. It is a place where we could offer a thoughtful “Gift” to each other, and where these objects help us to be in touch with designers and ordinary people all over the world.
We will be pleased if you appreciate this exhibition as our modest gift to you.
ATELIER MUJI
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Me and my collection
In 1966, I bought Sori Yanagi’s “Butterfly chair” as my first object after leaving school. Starting from this Japanese chair, 2 years after that I bought my first foreign chair, “Superleggera” by Gio Ponti, the Italian architect. Now, more than half a century later, my chair collection has grown to over 1000 models, and for other genres I have lost count.
I am often asked “why are you collecting objects?”. First, it is as if objects ask me to notice them. “Look at me” they seem to say - in other words, I get startled by them. An encounter with an object is similar to one with people. You notice something different to start with, and then feel a comfortable after-effect in their presence. My motivation for collecting has been to see objects like this, to know what they are and to share them with other people.
This exhibition is a humble gift to you from my collection.
I am reluctant to say that my collection is piling up in my home and warehouses. My hope is to open a salon-like space where I can share these objects with many more people one day. I wish that I could have the space to enjoy it with you in the future, a place where we could think about the process of creating wonderful objects.
Keiji Nagai





Time
10:00 – 21:00
- Open times and holidays follow the open hours and closed days of the store.
- Please note that some of the exhibits may not be available for viewing due to changes in the exhibition schedule or events.
Venue
MUJI Yurakucyo ATELIER MUJI
Credits
- Organizer
- MUJI
- Planning collaborator
- Keiji Nagai (Interior designer), Kaoru Tashiro (Design journalist)
- Cooperation
- AGC Studio (AGC ASAHI GLASS), Japan Institute of Design Promotion
- Graphic design
- Shogo Kishino (6D)
- Planning and Management
- Household Division / Planning & Design Creation Office, Ryohin Keikaku Co., Ltd. and ATELIER MUJI at MUJI Yurakucho
ATELIER MUJI
ATELIER MUJI, named by Ikko Tanaka, a graphic designer and former art director of MUJI, embodies the role of "a workshop that returns to the roots of living while seeking inspiration for the future." This forward-thinking initiative, envisioned by Ryohin Keikaku, serves as a cultural intersection, hosting curated exhibitions and events across diverse themes, including art and design.

